“As the German blitz raids reach their 39th day further air raids are to be expected at anytime…” At BBC broadcasting House, Bruce Belfrage and the rest of the staff are preparing the nightly news for millions of anxious listeners, but when the building suffers a direct hit they must pull together to face a terrible choice. Inspired by a true story.

Salvador is a peasant who one day wakes up as usual to work on his land but instead finds a pile of corpses in the middle of his crops. He runs to notify the authorities but is Sunday and Election Day so the dead ones end up being a nuisance that nobody wants to deal with.

Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.

A handful of men join together in an effort to face their demons in thisindependent drama from Australia. Paul (Paul Gleeson) is the leader of amen's encounter and support group that meets once a week in his home.While the men don't know each other outside the meetings, the gatheringsgive them a forum to voice their deepest concerns and come to termswith their problems. The regular visitors to Paul's meetings includeAlex (Grant Dodwell), who has a gambling addiction that's compromisinghis skills as a parent; Cecil (Don Reid), who has recently lost hiswife; Freddy (Steve Rodgers), an aspiring comedian who is strugglingwith a divorce; Moses (Paul Tassone), a big man with anger issues; andLucas (Steve Le Marquand), who hates and fears gays. However, all themembers are thrown for a loop by the arrival of Anthony (William Zappa),a new addition to the group who is facing a personal crisis that forcesthem all to re-examine their assumptions. Largely improvised by itscast, Men's Group was an official entry at the 2008 Rotterdam FilmFestival.

A handful of men join together in an effort to face their demons in thisindependent drama from Australia. Paul (Paul Gleeson) is the leader of amen's encounter and support group that meets once a week in his home.While the men don't know each other outside the meetings, the gatheringsgive them a forum to voice their deepest concerns and come to termswith their problems. The regular visitors to Paul's meetings includeAlex (Grant Dodwell), who has a gambling addiction that's compromisinghis skills as a parent; Cecil (Don Reid), who has recently lost hiswife; Freddy (Steve Rodgers), an aspiring comedian who is strugglingwith a divorce; Moses (Paul Tassone), a big man with anger issues; andLucas (Steve Le Marquand), who hates and fears gays. However, all themembers are thrown for a loop by the arrival of Anthony (William Zappa),a new addition to the group who is facing a personal crisis that forcesthem all to re-examine their assumptions. Largely improvised by itscast, Men's Group was an official entry at the 2008 Rotterdam FilmFestival.

A high school becomes ground zero for a zombie virus outbreak. Trapped students must fight their way out — or turn into one of the rabid infected.

The Men's Room is an American sitcom revolving around the friendship of three guys who are at crossroads in their lives. It stars Scott Cohen, John Cho and Brian Skala. NBC shut down the production after six episodes.

A group of college friends rent an Airbnb for the biggest music festival of the year. But their weekend of partying quickly takes a turn, as the group is murdered one by one, in correspondence with the seven deadly sins.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

Do we still sing the praises of folly like Erasmus, or is it trendy again to be smart? And if so, who is the smartest? Who can talk about the medals won at the Olympic Games in London, but at the same time knows who Captain Haddock is? Who knows whether Lacan was a hair growth product or a psychoanalyst and can also program their own digital television? Who has déjà vu when leafing through the Encyclopedia Britannica and when reading the interviews with the new Miss Waregem Koerse? Who, oh who, is the smartest person in Flanders, Belgium, Europe, and by extension, the world? That is determined by a fierce battle between three fellow human beings. Every day, someone is eliminated, someone who may not be the smartest, but who is perhaps cherished in their family circle because of their many other talents. The others advance and are joined by a new challenger every day.